{"id":6736,"date":"2018-03-04T11:31:16","date_gmt":"2018-03-04T11:31:16","guid":{"rendered":"http:\/\/www.wefloat.co.uk\/site\/?p=6736"},"modified":"2018-03-16T15:32:41","modified_gmt":"2018-03-16T15:32:41","slug":"week-five-how-we-tell-stories","status":"publish","type":"post","link":"http:\/\/www.wefloat.co.uk\/site\/2018\/03\/04\/week-five-how-we-tell-stories\/","title":{"rendered":"Week five: How we tell stories"},"content":{"rendered":"<p>The step outline is my new best friend. I&#8217;ve spent a bit of time figuring out the best way to plan a story, for me. This is an entirely personal thing and the only way to solve it is through practice &#8211; my favourite kind of research. So I have looked at tech: index card apps are great but they are limited and I have not found one which satisfactorily syncs across devices. I use a MacBook, and iPad and my iPhone. I want the same information on all of these. In the end I have found using Evernote is the most useful way of doing this, but the structure of the planning had evaded me, until now. <\/p>\n<p>In writing my treatment I found it necessary to write down my story beats and switch them around until they flowed and made sense. I knew what needed to happen, but the when was a little tougher to pin down. During the treatment process I bullet-pointed my story beats in order to decide enough structure to write the treatment. These two weeks have been marvellously productive for me in evolving my creative practice. I&#8217;m just beginning my first draft now (part of the week six task) and it doesn&#8217;t feel as daunting as it might have done because I know everything that&#8217;s going to happen in the story, I only have to focus on the details, the characters, the dialogue.<\/p>\n<p>I also had a revelation this week, which was a bit obvious, but something I had overlooked. And that&#8217;s the complicity of the audience when you tell your story. I have a scene where my protagonist, Jess, sees her late wife&#8217;s niece, Ali, for the first time and she&#8217;s struck by how much Ali looks like her wife. I&#8217;d tried to hint at this in the treatment:<\/p>\n<p style=\"font-family:courier;\">JESS seems surprised to see ALI, but she says nothing.<\/p>\n<p>I struggled a bit with how to describe the recognition that Jess felt. But of course the audience has <em>seen<\/em> Fran, Jess&#8217;s wife, in flashbacks. They can see the similarity. I don&#8217;t need to explain Jess&#8217; reaction because we can see what she sees. It&#8217;s obvious, really, but because of my background in prose, it hadn&#8217;t really occurred to me until now. In prose there is no additional dimension. It must all be told. I think this is the first time it&#8217;s really tripped me up, but I will be wary now. <\/p>\n<p>I really want to rely on subtlety in my stories, in crediting my audience with the intelligence to draw their own conclusions. I love pared back scripts that rely heavily on subtext, context and semiotics. <\/p>\n<hr>\n<h6>This entry forms a part of my MA Writing for Script and Screen Reflective Journal.<\/h6>\n","protected":false},"excerpt":{"rendered":"<p>The step outline is my new best friend. I&#8217;ve spent a bit of time figuring out the best way to plan a story, for me. This is an entirely personal thing and the only way to solve it is through practice &#8211; my favourite kind of research. So I have looked at tech: index card&hellip; <a class=\"more-link\" href=\"http:\/\/www.wefloat.co.uk\/site\/2018\/03\/04\/week-five-how-we-tell-stories\/\">Continue reading <span class=\"screen-reader-text\">Week five: How we tell stories<\/span><\/a><\/p>\n","protected":false},"author":1,"featured_media":6750,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":[],"categories":[137,116,117],"tags":[144,143,145],"_links":{"self":[{"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/posts\/6736"}],"collection":[{"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/comments?post=6736"}],"version-history":[{"count":8,"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/posts\/6736\/revisions"}],"predecessor-version":[{"id":6800,"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/posts\/6736\/revisions\/6800"}],"wp:featuredmedia":[{"embeddable":true,"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/media\/6750"}],"wp:attachment":[{"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/media?parent=6736"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/categories?post=6736"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/www.wefloat.co.uk\/site\/wp-json\/wp\/v2\/tags?post=6736"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}